It operates as a refuge for a civilizing element in short supply in contemporary America: honest criticism
FeaturesSeptember 2008 The visions of Orwell & Waugh On David Lebedoff's The Same Man: George Orwell and Evelyn Waugh in Love and War. The 1930s was the last decade in which Britain was recognizably its historic self, a country where people expected to live their lives as best they could and with a sense that they were free to do so. The balance between undoubted social inequality and the acceptance of the identity left by previous generations was a matter for all to resolve for themselves. The writing was on the national wall, however. British politicians had no idea how to steer through the Age of Dictators. Hitler, Stalin, even Mussolini, flummoxed them. So did Gandhi or Haj Amin, the Mufti of Jerusalem, as in their different approaches they and their kind set about destroying the empire on which the sun was not supposed to set. Britain was fast ceasing to be an independent actor on the world’s stage, and this was bound to affect the way its citizens thought about the fate of the country and themselves. Churchill was the last British politician to take it f ... This article is available to subscribers and for individual purchaseSubscribe to TNC (Print and Online editions) Subscribe to TNC (Online only) This article originally appeared in The New Criterion, Volume 27 September 2008, on page 39546 Copyright © 2012 The New Criterion | www.newcriterion.com http://www.newcriterion.com/articles.cfm/The-visions-of-Orwell---Waugh-3882
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