It operates as a refuge for a civilizing element in short supply in contemporary America: honest criticism
ArtMay 2009 Titian, Tintoretto, Veronese in Boston by Karen Wilkin On “Titian, Tintoretto, Veronese: Rivals in Renaissance Venice,” at the Boston Museum of Fine Arts, on view through August 16, 2009. At the start of “Titian, Tintoretto, Veronese: Rivals in Renaissance Venice,” at the Boston Museum of Fine Arts, is a seventeenth-century map of La Serenissima studded with colored dots, a different hue for each artist.[1] (The color coding repeats on the labels.) The dots mark the artists’ studios and the churches, Scuole, monasteries, and government buildings housing their most important commissions. There’s proximity and even overlap among the sites of the commissions, but the studios are widely spaced, as if each artist were a solitary territorial animal whose powerful aura repelled the others from his range. The map is a graphic metaphor for the entire exhibition, which tracks the complex relationships between three masters whose works, separately and collectively, more or less define what we mean by Ve ... This article is available to subscribers and for individual purchaseSubscribe to TNC (Print and Online editions) Subscribe to TNC (Online only) This article originally appeared in The New Criterion, Volume 27 May 2009, on page 42 Copyright © 2009 The New Criterion | www.newcriterion.com http://www.newcriterion.com/articles.cfm/Titian--Tintoretto--Veronese-in-Boston-4082
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by Karen Wilkin On “Watteau, Music, and Theater” at the Metropolitan Museum of Art, New York. Vermeer & Monet at the Met & MoMA by Karen Wilkin On "Vermeer’s Masterpiece: The Milkmaid" at the Metropolitan Museum of Art, New York & “Monet’s Water Lilies” at the Museum of Modern Art, New York. by Marco Grassi On "The Art of Devotion: Panel Painting in Early Renaissance Italy," Middlebury College Museum of Art, Middlebury, Vermont. On "In Pursuit of Knowledge: 600 Years of Leipzig University," The Grolier Club, New York. by Mario Naves On "Georgia O'Keeffe: Abstraction" at the Whitney Museum of Art, New York. New from The New Criterion: "Free speech in EventsNovember 09 2009 YOUNG FRIENDS: Tour of an important contemporary art collection November 24 2009 OPEN EVENT: Laura Jacobs reading December 02 2009 Friends Event: The Swallow Anthology Reading Webcasts
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