ArtMay 2009 Titian, Tintoretto, Veronese in Boston by Karen Wilkin On “Titian, Tintoretto, Veronese: Rivals in Renaissance Venice,” at the Boston Museum of Fine Arts, on view through August 16, 2009. At the start of “Titian, Tintoretto, Veronese: Rivals in Renaissance Venice,” at the Boston Museum of Fine Arts, is a seventeenth-century map of La Serenissima studded with colored dots, a different hue for each artist.[1] (The color coding repeats on the labels.) The dots mark the artists’ studios and the churches, Scuole, monasteries, and government buildings housing their most important commissions. There’s proximity and even overlap among the sites of the commissions, but the studios are widely spaced, as if each artist were a solitary territorial animal whose powerful aura repelled the others from his range. The map is a graphic metaphor for the entire exhibition, which tracks the complex relationships between three masters whose works, separately and collectively, more or less define what we mean by Ve ... This article is available to subscribers and for individual purchaseSubscribe to TNC (Print and Online editions) Subscribe to TNC (Online only) This article originally appeared in The New Criterion, Volume 27 May 2009, on page 42 Copyright © 2010 The New Criterion | www.newcriterion.com http://www.newcriterion.com/articles.cfm/Titian--Tintoretto--Veronese-in-Boston-4082
rate this article for your user profile
E-mail to friend
|
by Karen Wilkin On “Cézanne, Picasso, Mondriaan” at the Geementsmuseum, The Hague, The Netherlands. by Karen Wilkin On “Leonardo da Vinci: Hand of the Genius” at the High Museum of Art, Atlanta. by Karen Wilkin On “Arshile Gorky: A Retrospective,” at the Philadelphia Museum of Art. On "The Conversation Piece: Scenes of Fashionable Life" at The Queen's Gallery, Buckingham Palace, London. by James Panero On the Bushwick art scene, the "Inaugural Exhibition" at Storefront, “The Wells Street Gallery Revisited: Then and Now” at Lesley Heller Workspace, “Works on Paper” at Danese & “Jack Tworkov: True and False” at Mitchell-Innes & Nash. Webcasts
Elucidations & Corrections: Arts Criticism
Swallow Anthology Reading at The Grolier
New Criterion-Social Affairs Unit Conference: Part 4 |
add a comment
you must have an account to post a comment. {register now}