Sign in  |  Register

The New Criterion

America’s leading review of the arts and intellectual life
- Harry Mount, the London Telegraph

Notes & Comments

January 1997

Upchucking for art—or was it “speech” the fellow vomited upon Mondrian & Dufy?

On an Ontario art student's vandalism of two paintings in the name of art

That we live in wondrous times is no longer news, of course. Technological miracles abound, behavior once thought esoteric, outrageous, or illegal is now acclaimed as virtuous, liberating, and chic, and the frontiers of creative expression have been expanded beyond the wildest dreams of the avant-gardes of yesteryear. The expansion of those frontiers is nowadays, indeed, a subject of instruction in the classroom, the art school, and the university seminar. Foundations support it, the media applaud it, and our institutions of high culture hasten to bask in the glory of serving its most outré interests.

That we may also be living in barbarous times—right there, in those very same classrooms, foundations, and institutions of high culture—is a matter that upright, enlightened, liberal-minded folk would mostly rather not think about, especially in relation to what is now said to constitute artistic end ...

This article is available to subscribers and for individual purchase

Subscribe to TNC (Print and Online editions)

Subscribe to TNC (Online only)

Purchase article credit and clip this article

If you already have an account login first

This article originally appeared in The New Criterion, Volume 15 January 1997, on page 3

Copyright © 2014 The New Criterion | www.newcriterion.com

http://www.newcriterion.com/articles.cfm/Upchucking-for-art-or-was-it--ldquo-speech-rdquo--the-fellow-vomited-upon-Mondrian---Dufy---3399

E-mail to friend


The New Criterion

You might also enjoy

Summer of discontent

Attitudes about patriotism, race, and more prove that The Sixties are still with us.

Shut up, they explained

On the "disinvitation" of commencement speakers, trigger warnings for classic literature, and privilege

A word of thanks

A special message to our supporters

Most popular

view more >

Subscribe to our newsletter!

* indicates required

Webcasts

The Walter Duranty Prize for Journalistic Mendacity
On May 5, 2014, The New Criterion and PJ Media presented the second Walter Duranty Prize for Journalistic Mendacity. The award is given to highlight egregious examples of dishonest reporting. Also awarded this year was the Rather, a new award for lifetime achievement in mendacious journalism.
The Duranty Prize is named after Walter Duranty, the New York Times Moscow corresponded in the 1920s and 1930s who whitewashed Joseph Stalin’s forced starvation of the Ukrainians (the Holodomor) and many other aspects of Soviet oppression. Duranty was awarded the Pulitzer Prize in 1932 for his efforts. It has never been revoked.
Audio copyright Ed Driscoll, www.eddriscoll.com.


Introduction to The Kennedy Phenomenon
Roger Kimball introduces The Kennedy Phenomenon, a conference presented by The New Criterion on Tuesday, November 19.


The Kennedy Phenomenon: "Watching the Kennedy Train-Wreck"
Roger Kimball reads Peter Collier’s paper on oft-overlooked unsavory details of the Kennedys' lives. Much of the paper is drawn from Collier’s book, coauthored with David Horowitz, The Kennedys: An American Drama.