Sign in  |  Register

The New Criterion

It operates as a refuge for a civilizing element in short supply in contemporary America: honest criticism
- The Wall Street Journal

Poems

February 1996

Emily's courtship

by Robert McDowell

 

The visitor stands at the grave in knee-high snow.
He’s been calling your house since 1962
Asking for you.

Is he a distant or close relation to
That man in Baltimore who annually visits Poe?
Certainly you would know.

And if this man who calls you should break through,
What Loneliness, Time, and Pain must he endure
At your father’s door?

Brushing aside that meddling sister of yours
He calls upstairs, “Emily, my darling, my dear,
There is nothing to fear!”

Don’t greet him in the frills and curls you acquired late,
Long after the Romantics claimed you,
But come down as you

Always were, your hair tucked in a tight bun,
Your limbs loose in a drab, light summer dress
The color of afternoon sun,

The armpits and a flare up the back darkened with sweat
(For you have been sweeping all morning), your ...

This article is available to subscribers and for individual purchase

Subscribe to TNC (Print and Online editions)

Subscribe to TNC (Online only)

Purchase article credit and clip this article

If you already have an account login first

Robert McDowell


more from this author

This article originally appeared in The New Criterion, Volume 14 February 1996, on page 36

Copyright © 2009 The New Criterion | www.newcriterion.com

http://www.newcriterion.com/articles.cfm/Emily-s-courtship-3660
rate this article for your user profile

E-mail to friend


The New Criterion

By the author

You might also enjoy

Most popular

view more >

download
first delivery

The New Criterion is now optimized for Mobile Devices

New from The New Criterion:
40 page special issue
on our conference

"Free speech in
an age of Jihad"

Events

July 16 2009

OPEN CHICAGO EVENT


Webcasts

"Taking the Occasion," poems by Daniel Brown
The eighth annual New Criterion Poetry Prize winner reads selections from his book at an evening with the Friends of The New Criterion.


Jay Nordlinger on the future of classical music, from an evening with the Friends of The New Criterion.


A profile of the abstract painter Thornton WIllis
Directed by Michael Feldman. Featuring Thornton Willis and commentary by James Panero. Produced in coordination with Willis's March 2009 exhibition at Elizabeth Harris Gallery, New York