Sign in  |  Register

The New Criterion

It operates as a refuge for a civilizing element in short supply in contemporary America: honest criticism
- The Wall Street Journal

Art

September 2007

News from the Berkshires

by Karen Wilkin

On “The Unknown Monet: Pastels and Drawings” at the Clark Art Institute in Williamstown, Massachusetts.

It’s hard to believe that there’s anything left to discover about Claude Monet. Among those much loved, much studied, and much exhibited perennial box-office favorites, the Impressionists, he may be the most loved, most studied, and most exhibited. Not only is he well represented, often in some depth, in the permanent collection of just about any major museum, but, in the last two decades or so, there have also been dozens of special exhibitions in the United States, Europe, and occasionally in Asia wholly about Monet or at least featuring him: surveys of his evolution, studies of his late work and his series, examinations of his early efforts and his still lifes, explorations of his paintings of Italy and of London, investigations of his relationship to his colleagues, and more. This spring alone, four exhibitions were devoted to Monet internationally. One of them, on view at the Clark Art Institute, Williamstown, Massachusett ...

This article is available to subscribers and for individual purchase

Subscribe to TNC (Print and Online editions)

Subscribe to TNC (Online only)

Purchase article credit and clip this article

If you already have an account login first

Karen Wilkin is an editor at The Hudson Review and on the faculty at the New York Studio School. 


more from this author

This article originally appeared in The New Criterion, Volume 26 September 2007, on page 42

Copyright © 2012 The New Criterion | www.newcriterion.com

http://www.newcriterion.com/articles.cfm/news-from-the-berkshires-3597
rate this article for your user profile

E-mail to friend


The New Criterion

By the author

Two young artists

by Karen Wilkin

On “Rembrandt and Degas: Two Young Artists” at the Sterling and Francine Clark Art Institute, Williamstown, MA.

Stieglitz at the Met

by Karen Wilkin

On "Stieglitz & His Artists" at the Metropolitan Museum of Art, New York.

Marioni's liquid light at the Phillips

by Karen Wilkin

On “Eye to Eye: Joseph Marioni at the Phillips” at the Phillips Collection, Washington, DC.

You might also enjoy

Exhibition note

by Leann Davis Alspaugh

On "New Formations: Czech Avant-Garde Art & Modern Glass from the Roy and Mary Cullen Collection” at the Museum of Fine Arts, Houston.

Exhibition note

by Christie Davies

On “Ai Weiwei: Dropping the Urn, Ceramic Work 5000 B.C.–A.D. 2010” at the Victoria & Albert Museum, London & “The Flamboyant Mr. Chinnery: An English Artist in India and China” at Asia House, London.

Exhibition note

by Franklin Einspruch

On "Johann Zoffany RA: Society Observed” at the Yale Center for British Art.

Most popular

view more >

The New Criterion is now optimized for Mobile Devices

Webcasts

Anthony Daniels on the Euro Crisis
The New Criterion author Anthony Daniels delivers remarks in New York City about the "European experiment." With an introduction by editor Roger Kimball. Recorded on November 30, 2011.


Andrew C. McCarthy: The Muslim Threat
The New Criterion contributor Andrew C. McCarthy delivers remarks in Effingham, Illinois, about the threat of Islamism to the United States. A Friend of The New Criterion, Dwight Erskine, introduces McCarthy to the Effingham audience. Recorded on October 1, 2011.


Roger Kimball: The Grim Future of Statism
The New Criterion editor Roger Kimball delivers remarks in Effingham, Illinois, about the future of statism and The New Criterion's 30th anniversary. A Friend of The New Criterion, Dwight Erskine, introduces Roger Kimball to the Effingham audience. Recorded on October 1, 2011.