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Notebook

October 1997

Sviatoslav Richter, 1915-1997

by Alexander Coleman

A commemoration of the renowned pianist

The Russian pianist Sviatoslav Richter died in his dacha outside Moscow on August 1, 1997. No one could ever have thought of this peerless artist as a dissident within his own country in the manner of Solzhenitsyn or Mstislav Rostropovich. Neither could one think of him or his wildly individualistic behavior during the darkest days of Stalin as anything but a special example of how art could triumph over the most crushing of political repressions. He earned his unparalleled personal freedom within the cultural politics of the Soviet system all right, but at a price—no visas for concerts abroad were allowed until 1959, when he was permitted a short tour of Finland. A debut at Carnegie Hall and an American tour began what was to be a regime of off-and-on summer exiles in France, Italy, and Germany, though he was still most assiduous in giving concerts to his countrymen in remotest Eastern Russia during whirlwind tours, since he f ...

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Alexander Coleman was a long-time contributor to The New Criterion and a close friend of the editors. He died on June 17th, 2002.


 


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This article originally appeared in The New Criterion, Volume 16 October 1997, on page 78

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