It operates as a refuge for a civilizing element in short supply in contemporary America: honest criticism
ReconsiderationsFor self is a sea boundless and measureless. We shall never understand one another until we reduce the language to seven words. —Kahlil Gibran Among my mother’s books was a copy of The Prophet by Kahlil Gibran. I remember still the cream color of the cover, adorned with a soft-focus drawing of a young man with a thin moustache staring, Svengali-like, into some kind of philosophical infinity. Although—or was it because?—The Prophet was so popular at the time, selling by the million worldwide, I resisted reading it. I suspected that its profundity, or rather its straining after profundity, was bogus, and I was right. It is precisely in its ersatz quality that its popularity resides. Gibran was an artist as well as a writer, and his drawings, with some of which this Collected Works is interspersed, suffer from a defect that is closely kindred to the defect from which his writin ... This article is available to subscribers and for individual purchaseSubscribe to TNC (Print and Online editions) Subscribe to TNC (Online only) This article originally appeared in The New Criterion, Volume 26 December 2007, on page 35 Copyright © 2010 The New Criterion | www.newcriterion.com http://www.newcriterion.com/articles.cfm/The-false-prophet-3710
rate this article for your user profile
E-mail to friend
|
A critical account of the "Chernyshevsky of individualism." The most hated man in New York On ”Lincoln and New York” at the New-York Historical Society, New York. On the life, letters & linguistic genius of William Jones (1746–94). by John Simon On Barbara Johnson's translation of Divagations by Stéphane Mallarmé. Webcasts
Elucidations & Corrections: Arts Criticism
Swallow Anthology Reading at The Grolier
New Criterion-Social Affairs Unit Conference: Part 4 |
add a comment
you must have an account to post a comment. {register now}