William Logan's new book of criticism, Guilty Knowledge, Guilty Pleasure (Columbia), has just been published. He was born in Boston in 1950 and educated at Yale and the University of Iowa. He is the author of ten volumes of poetry, Sad-faced Men (1982), Difficulty (1985), Sullen Weedy Lakes (1988), Vain Empires (1998), Night Battle (1999), Macbeth in Venice (2003), The Whispering Gallery (2005), Strange Flesh (Penguin, 2008), and Deception Island: Selected Early Poems (2011). He is also the author of six books of essays and reviews, All the Rage (1998), Reputations of the Tongue (1999, a finalist for the National Book Critics Circle Award in Criticism), Desperate Measures (2002), The Undiscovered Country (2005, winner of the National Book Critics Award in Criticism), Our Savage Art (2009), and Guilty Knowledge, Guilty Pleasure (2014). His edition of John Townsend Trowbridge's lost classic, Guy Vernon, was published by University of Minnesota Press in the spring of 2012. He has received the Aiken Taylor Award in Modern American Poetry, the Academy of American Poets' Peter I. B. Lavan Younger Poets Award, the National Book Critics Circle's Citation for Excellence in Reviewing, Poetry's J. Howard and Barbara M. J. Wood Prize, Sewanee Review's Allen Tate Prize, Centenary College's Corrington Medal, and the Randall Jarrell Award of the Pegasus Foundation. He teaches at the University of Florida, where he is Alumni/ae Professor of English, and lives in Florida and Cambridge, England.
Articles by William Logan View All
Notebook September 2016
Geoffrey Hill, 1932–2016
On the passing of the prolific English poet.
Verse Chronicle June 2016
On newly published poetry.
Features April 2016
Shakespeare’s rotten weeds, Shakespeare’s deep trenches
On Shakespeare’s sonnets.
Verse Chronicle December 2015
Under the skin
A Double Sorrow: A Version of Troilus and Criseyde by Lavinia Greenlaw; The Emperor of Water Clocks by Yusef Komunyakaa; The Collected Poems of John Crowe Ransom edited by Ben Mazer; Notes on the Assemblage, by Juan Felipe Herrera & Impossible Bottle by Claudia Emerson