Karen Wilkin is an independent curator and critic. She was previously the curator of "American Vanguards," on view at the Neuberger Museum, SUNY Purchase and a faculty member at the New York Studio School. She is an art historian, curator, and critic, educated at the High School of Music and Art, Barnard College, and Columbia University. After living and working in Italy and Canada for some years, Ms. Wilkin returned to her native Manhattan in 1985. She lives near the Empire State Building with her architect husband and two Maine Coon cats. A specialist in 20th century modernism, Ms. Wilkin has organized numerous exhibitions internationally and written monographs on David Smith, Helen Frankenthaler, Anthony Caro, Kenneth Noland, Stuart Davis, Giorgio Morandi, and George Braque, and is the co-author, with Clifford Ross, of The World of Edward Gorey. She contributes regularly to The New Criterion, Partisan Review, and Hudson Review. Her recent projects include a study of Clement Greenberg's personal collection for the Portland Art Museum, Portland, Oregon, and "David Smith: Two into Three Dimensions", the first exhibition to examine Smith's reliefs as a coherent body of work, in relation to his drawings, paintings, and free-standing sculptures, which will be seen at the New York Academy Museum at the end of 2001.
Articles by Karen Wilkin View All
Features December 2016
Less can be more
On the merits of simple museum displays.
Art November 2016
“Abstract Expressionism” in London
On the exhibition of the movement at the Royal Academy of Arts.
Art October 2016
Alma Thomas at the Studio Museum
On “Alma Thomas,” a retrospective at the Studio Museum in Harlem.
Art September 2016
Nudes from the Prado at the Clark
On “Splendor, Myth, and Vision: Nudes from the Prado” at the Sterling and Francine Clark Art Institute..