Leann Davis Alspaugh is the managing editor of The Hedgehog Review
Articles by Leann Davis Alspaugh View All
Books June 2016
Nadar’s highs and lows
A review of When I Was a Photographer (MIT Press) by Félix Nadar,Eduardo Cadava,Liana Theodoratou
Art April 2015
On “Wifredo Lam: Imagining New Worlds” at High Museum of Art, Atlanta.
Art December 2014
On “Wynn Bullock: Revelations” at the High Museum of Art, Atlanta
Art December 2013
Review of “Forrest Bess: Seeing Things Invisible” at the Hammer Museum, Los Angeles
Blog Posts by Leann Davis Alspaugh View All
Sep 10, 2015
Gustave Caillebotte, Interior, Woman at the Window, 1880, oil on canvas, Private Collection. © Comité Caillebotte, Paris To a greater extent than almost any of his contemporaries, Gustave Caillebotte had the gift of stillness.
Apr 09, 2015
Francisco Goya, Francisco Goya y Lucientes, Pintor, 1799. Since Renaissance humanism first made it acceptable—even imperative—for artists to draw attention to themselves, creative types have complied and produced many forms of what curator James Clifton calls “ego-documents.
Feb 10, 2015
Paul Cézanne, Still Life with Carafe, Bottle, and Fruit, 1906 Henry Pearlman liked to say that every time he saw his art collection, it gave him a lift. We should all be so lucky.
Dec 18, 2014
Trumpeters and Young Girls Dancing, 1431-1438. Images via The consecration of Florence’s Santa Maria del Fiore on March 25, 1436, must have been, even by Renaissance standards, a day of unrivalled spectacle and splendor.