Benjamin Riley is an MA candidate at the Courtauld Institute of Art and was the Hilton Kramer Fellow in Criticism at The New Criterion. He graduated from Dartmouth College, where he served as President and Publisher of The Dartmouth Review. While at Dartmouth he studied Art History, culminating in a thesis on Robert Adam’s work in Edinburgh entitled Robert Adam and Charlotte Square: The Completion of Edinburgh’s New Town Vision.
Articles by Benjamin Riley View All
Art February 2017
Adam on the Thames
On “Robert Adam’s London” at Sir John Soane’s Museum, London.
Art December 2016
On “Beyond Caravaggio” at the National Gallery in London.
Books June 2016
Names & prices
A review of The Auctioneer: Adventures in the Art Trade by Simon de Pury
Art January 2016
On “Edvard Munch. Archetypes” at Museo Thyssen-Bornemisza, Madrid.