Sign in  |  Register

The New Criterion

It operates as a refuge for a civilizing element in short supply in contemporary America: honest criticism
- The Wall Street Journal

Author

Leann Davis Alspaugh

Leann Davis Alspaugh writes about art, literature, and opera.

Articles

Exhibition note (Art) , November 2012, 46
On "Paul Klee—Philosophical Vision: From Nature to Art," which opened at the McMullen Museum of Art, Boston College on September 1 and remains on view until December 9, 2012.

Still life (Art) , October 2012, 48
On Clyfford Still, his work, and the recently-opened Clyfford Still Museum.

Exhibition note (Art) , February 2012, 45
On "New Formations: Czech Avant-Garde Art & Modern Glass from the Roy and Mary Cullen Collection” at the Museum of Fine Arts, Houston.

Exhibition note (Art) , September 2011, 106
On "Kurt Schwitters: Color & Collage" at Houston's Menil Collection.

Exhibition note (Art) , March 2011, 49
On "Rackstraw Downes: Onsite Paintings, 1972–2008” at the Portland Museum of Art, Portland, Maine.

Shorter notice (Books) , November 2010, 78
A review of Grant Wood: A Life by R. Tripp Evans

Exhibition note (Art) , May 2010, 48
On "Luis Meléndez: Master of the Spanish Still Life" at the Museum of Fine Arts, Boston.

Exhibition note (Art) , December 2009, 42
On "Renaissance to Revolution: French Drawings from the National Gallery of Art, 1500–1800," The National Gallery of Art, Washington, D.C.

Exhibition note (Art) , June 2009, 47
On "Second Empire Paris: History and Modernity" at Sterling & Francine Clark Art Institute, Williamstown, Massachusetts.

Exhibition notice (Art) , April 2009, 47
On “Shell-Shocked: Expressionism After the Great War” at the Los Angeles County Museum of Art, on view through April 19, 2009.

Exhibition notice (Art) , March 2009, 44
On “Grand Scale: Monumental Prints in the Age of Dürer and Titian” at the Philadelphia Museum of Art, January 31–April 26, 2009.

Exhibition note (Art) , November 2008, 45
On "Mystic Masque: Semblance and Reality in Georges Rouault, 1871-1958" at the McMullen Museum, Boston College.




The New Criterion

Twitter