The New Criterion
(Mobile Version)

Features

December 2003

“All sail, no anchor”: architecture after modernism

by Michael J. Lewis

When architecture gets a hall of fame, it needs to find a niche for a certain amiable rogue I will refer to as Palladio of the Wastepaper Basket. He made his mark during the 1960s at Yales school of architecture. There it is the monthly task of students to design a hypothetical building, for which they make a model out of cardboard and foam core in a notoriously time-consuming operation. The process culminates in the crit, the stressful and often prickly review session in which visiting critics inspect the models and question the students, unfailingly finding the weak points of both. It is often the case that a verbally nimble student makes a better impression than an inarticulate designer, even one with a better design.

Our Palladio of the Wastepaper Basket found it more congenial to talk than cut cardboard. He prowled the halls of the architecture school at night, ransacking the trash for old models that had been discarded by their maker ...

This article is available to subscribers and for individual purchase

Log in

Michael J. Lewis is

Michael J
more from this author


This article originally appeared in The New Criterion, Volume 22 December 2003, on page 4
Copyright © 2012 The New Criterion | www.newcriterion.com


E-mail to friend(s)