As time goes by, it generally softens asperities in the character of men and women from the past. We have quite a cuddly image of Ben Franklin, but to those who met him he could seem truculent and abrasive. Something rather different has happened in the case of Samuel Johnson. He used to be presented as a formidable figure—an overbearing literary potentate, if not a clubroom bore whose table you would avoid in the dining room. People thought him domineering and arrogant, qualities reflected in his nickname “the Great Cham.” Oldstyle British actors gave him a plummy upper-class bark, even though the evidence showed that he spoke with a strong Midlands accent, not too far from the nasal intonation you can hear on the streets of Birmingham today.
It has all changed dramatically in the last half-century. In fact, the shift has its roots even further back, in an essay by an outstanding scholar from Berkeley, first published in 1944. ...
Pat Rogers is
Pat Rogers is the author of Johnson (Past Masters), The Samuel Johnson Encylopedia, and the entry for Johnson in the Oxford Dictionary of National Biography
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This article originally appeared in The New Criterion, Volume 27 June 2009, on page 17
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