Ireland over the past few decades has been the breeding ground for a dozen or so notable poets. One of them, Seamus Heaney, has become world-renowned, and rightly so. But equally worthy of attention is Derek Mahon, born in 1941, two years later than the Nobel Laureate. He has not been, until recently, especially prolific: his carefully winnowed Selected Poems (1991, now out of print) contains most of the essential early Mahon; his two most recent individual volumes, The Hudson Letter (1995) and The Yellow Book (1997),[1] are fresh, witty, and often coruscating, at once classic and demotic.
Like Heaney, Mahon was born and raised in Northern Ireland. Unlike his more celebrated contemporary, he is city-bred—a native of Belfast—and he is culturally a Protestant. While Heaney attended Queens University in Belfast, Mahon went south to Dublin, where he studied at Trinity College, th ...
Richard Tillinghast is the author of Finding Ireland: A Poets Explorations of Irish LIterature and Culture (University of Notre Dame Press)
more from this author
This article originally appeared in The New Criterion, Volume 18 September 1999, on page 29
Copyright © 2012 The New Criterion | www.newcriterion.com