"Mystic Masque: Semblance and Reality
in Georges Rouault, 1871-1958"
McMullen Museum, Boston College.
August 30-December 7, 2008
Georges Rouault (1871–1958) has never been a crowd-pleaser. Though he was virtually ignored by the art world for decades, anniversary exhibitions in France, New York, and Boston have reintroduced this challenging artist.
Rouault was born in a cellar during an attack by the Communards against the Germans in Belleville, a working-class district of Paris. As France recovered from the Franco-Prussian war, the country went through a time of intense anticlericalism. Soon afterwards, a cultural reaction against secularism set in; one result was the Christian democratic movement and its push for a socially responsive church. Rouault’s father fervently admired Lamennais, the Breton priest who suffered papal displeasure for his democratic writings, and he passed on this Christian idealism to his ...
Leann Davis Alspaugh writes about art, literature, and opera
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This article originally appeared in The New Criterion, Volume 27 November 2008, on page 45
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