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Theater

April 2004

Fiddling with Fiddler

by Mark Steyn

The question Jerome Robbins used to bug his writers with all the time in rehearsal is the most basic one of all: What is this show about? And the place he wanted it answered was in the opening. On A Funny Thing Happened on the Way to the Forum (1963), audiences were thrown off by the period setting—the togas and the Latin—so he ordered up a curtain-raiser simply announcing that its meant to be funny—"Comedy Tonight":

 
No Royal curse, no Trojan horse

And the gags that hadnt worked the night before suddenly worked.

Gypsy (1959) opens at Uncle Jockos Kiddie Show in Seattle and a chaotic stageful of garishly costumed moppets lumbering through sad routines, until from the back of the auditorium a rasping voice yells, "Sing out, Louise!," and Mama Rose comes barging down the aisle, effectively disrupting the opening of her own show. Thats a brilliant way of setting up time, place, a ...

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Mark Steyn’s most recent book is America Alone: The End of the World As We Know It (Regnery)
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This article originally appeared in The New Criterion, Volume 22 April 2004, on page 58
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