Midway along our road sometimes a voice
Sounds, prohibiting all heldenblustering choices
Of timbre, overtones or fashions;
Fifty years back, when I first heard you sing
I thought: “The poems I’ve written lack for nothing
But such clarity, such passion.”
With Nadia Boulanger when young, you went
Touring through languages and continents,
Collegia, festivals and venues;
To countertenor from youth’s baritone,
You made each form, period and style your own,
From Frescobaldi, Couperin, Monteverdi,
To Neidhardt, Bach, Schutz’ Sacred Concerti
Then Fauré, Debussy, Auric;
Di Lasso to “A Lover and His Lass,”
Josquin to Stravinsky’s Rake’s Progress.
Machaut’s Mass to Coward’s Bitter Sweet.
With an untroubled, easy grace and verve,
You’d fill in for a friend whose wrenched-up nerves
Failed, ...
W. D. Snodgrass is
This article originally appeared in The New Criterion, Volume 22 February 2004, on page 39
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