What more on a summer afternoon
Could I require?
Light without heat, my work-week done,
A free desire,
And the world from my balcony composed
Like a Renaissance
Picture, the elements disposed
With significance
Too obvious to miss: the trees
Are Nature’s beauty;
My notebook the imperious
Summons to Duty.
Neither could Lust’s abrupt demands
Have been omitted:
A sunbathing girl on the next roof stands,
My gaze permitted
As though she did not notice it; and last
The stereo
Is playing Mozart’s movements, fast
Then aching-slow,
A sign for the already adequate
Engrossing Past.
Everything’s given, though I know it
Cannot last—
What one impetuous faculty
Would quickly choose
The others as necessarily
Loudly refuse.
The Body turns to her, the Soul’s at rest
In sexless nature;
Ambition writes, but ...
Adam Kirschs most recent book is Invasions: Poems (Ivan R
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This article originally appeared in The New Criterion, Volume 21 September 2002, on page 42
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