Samuel Johnson noted the fascination of gossip, “the delight the mind feels in the investigation of secrets,” and famously declared: “the biographical part of literature is what I love best.” His penetrating intuition and insight into the lives of his subjects, his formidable knowledge and narrative skill, and his innovative ideas about biography make the Lives of the Poets (1779–81) valuable, indeed essential, models for the modern biographer. Personally acquainted with only a few of his subjects, like Savage and Collins, Johnson believed in finding the facts. He sought out records and documents, letters and manuscripts, printed works and memoirs, interviews and anecdotes. He described the poets’ intellectual backgrounds and educations, mainly at Oxford and Cambridge. He placed them in the political contexts of their time, analyzing their views in relation to Cromwell’s Interregnum and the Restoration of ...
Jeffrey Meyers is a Fellow of the Royal Society of Literature and is writing a biography of Samuel Johnson
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This article originally appeared in The New Criterion, Volume 21 November 2002, on page 35
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