As I set out to learn the mysterious art of poetry twenty-five years ago, I got along in Baltimore on a weekly salary of forty dollars from part-time work in a jewelry store. I lived in a third-floor walkup apartment on Cathedral Street just off Mount Vernon Square. Once H. L. Mencken occupied a lavish suite of rooms just up the street, overlooking the statuary and fountains of that city park he called the most beautiful in America. There the statue-topped pillar of the nation’s first Washington monument passes its shadow over a brick mansion designed by Stanford White, the Greek-revival pediment of the Walters Art Gallery, the columns of the cacophonous Music Conservatory and its venerable, silent neighbor, the George Peabody Library.
I say that I lived in the apartment, but the tiny efficiency in which I slept and wrote in the mornings was hardly a space for living. I lived, really, in the neighborhood of Mount Vernon, which twenty-five y ...
Daniel Mark Epstein wrote the libretto for the opera Jefferson and Poe, with music by Damon Ferrante
more from this author
This article originally appeared in The New Criterion, Volume 14 October 1995, on page 21
Copyright © 2012 The New Criterion | www.newcriterion.com