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January 1996

The last critic? The importance of F.R. Leavis

by Paul Dean

To American readers the name F. R. Leavis (1895–1978) may signify little more than half-remembered phrases and controversies —the Great Tradition, the Two Cultures— now surely, it might be thought, relegated to literary history. In England, Leavis’s influence has waned but his name still evokes strong reactions, as the reviews of Ian MacKillop’s new biography show.[1] Leavis is variously described as “neurotic,” “petty,” “authoritarian,” “impossibly haughty,” exhibiting “suppressed hysteria” or “crazed paranoia”; he is mocked as “the good doctor,” surrounded by “disciples,” his life “claustrophobically book-based.” As for his critical achievements, we hear from one writer that “he was often conspicuously wrong,” from another that he made “often extraordinarily d ...

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Paul Dean is Head of English at Summer Fields School, Oxford
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This article originally appeared in The New Criterion, Volume 14 January 1996, on page 28
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