March’s bitter morning thawed
the frozen skin of the sound
as Harvard’s gothic shadow fell
upon the burying ground.
Snow in its gelid costume dressed
the icy stand of birch
where the tilted gravestones shelved
against the Methodist church.
The leafless birches sank within
the shallow swamp of snow,
a Japanese rice-paper screen’s
calligraphy aglow,
like great blue herons stalking
carp in silent pools
beneath the melting icicles’
dripping, glassy jewels.
The birches formed their rank above
the waters of paradise,
warming the gravestones’ chiseled names
in Dante’s lake of ice.
On standing pools wind shivered
over the traitorous dead,
where starving Ugolino gnawed
Archbishop Roger’s head.
The winter’s sculptured rites of snow,
...
William Logan will have a volume of early selected poems out in the spring
more from this author
This article originally appeared in The New Criterion, Volume 16 May 1998, on page 23
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