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February 1999

The magic of contradictions: Willa Cather's lost lady

by Morris Dickstein

First published in 1923, when Willa Cather was almost fifty years old, A Lost Lady occupies a special place in her rich and varied body of work. Though it never gained the wide popular appeal of My Ã?ntonia or Death Comes for the Archbishop, which became staples of the school curriculum, it has long been a novel that critics admire extravagantly and ordinary readers recall with passionate enthusiasm. The early reviews were laudatory but a little condescending, for Cather’s “portrait of a lady” is barely longer than a novella and centers on a single character. To Edmund Wilson it was “a charming sketch performed with exceptional skill.” Joseph Wood Krutch found it “short and slight,” not “a great novel” but “that very rare thing in contemporary literature, a nearly perfect one.” But the tide was turning by 1937 when Lionel Trilling, not Cather’s greatest admirer, described i ...

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Morris Dicksteins most recent book is Dancing in the Dark: A Cultural History of the Great Depression
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This article originally appeared in The New Criterion, Volume 17 February 1999, on page 20
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