The New Criterion
(Mobile Version)

Features

September 1998

The entertainment state

by Mark Steyn

A month or two back in Ottawa, ministers from a couple of dozen countries got together for a big forum on “culture”—and, more specifically, on how to protect each “distinctive national culture” from being swamped by the global dominance of America. It might have been interesting to hear the American perspective on this but America wasn’t invited—because, said Canada’s Heritage Minister sniffily, there was no U.S. cabinet minister responsible for culture. Which is to say that even Bill Clinton’s Washington doesn’t think it worth appointing a cabinet secretary whose job it is to attend first nights.

Anyway, with America absent, Canada and co. were free to devise new ways to ward off the sulfurous odors of Hollywood, as manifested by, say, the blockbuster Titanic. Who directed Titanic? A Canadian, James Cameron. Who sings its ubiquitous theme song? Another Canadian, Céline Dion. Ind ...

This article is available to subscribers and for individual purchase

Log in

Mark Steyn’s most recent book is America Alone: The End of the World As We Know It (Regnery)
more from this author


This article originally appeared in The New Criterion, Volume 17 September 1998, on page 24
Copyright © 2012 The New Criterion | www.newcriterion.com


E-mail to friend(s)