spoken in the voice of Natalia Ginzburg
The first thing to go is the neck.
Thats where it starts: gravity pulls,
the grave extends its reach, yanks at the tendons,
strings them out, distends the flesh.
The cheeks give in, drop to the jaw, become jowls.
Jowls, you say, my fathers jowls.
This is the turning point.
No spring left to resist
dusts desire to make more dust.
After this defeat, the rest follows:
bust and butt racing in a cavalcade
to the finish.
How you had laughed
at middle-aged crises, assumed
your horse-face
would spare you the pretty girls ravaged
future. Calmly, you awaited the change,
superior in your plainness.
Manly, your brothers teased. Brutta.
You cried and prayed for delicacy
to visit your coarse features, soften
the nose, round out the chin. You wanted
wide-set eyes like Athena, gray-blue ...
Peg Boyers is the executive director of Salmagundi
more from this author
This article originally appeared in The New Criterion, Volume 17 September 1998, on page 33
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