The New Criterion
(Mobile Version)

Features

December 2000

Longfellow & the fate of modern poetry

by John Derbyshire

Strolling around Disneyland this summer, re-acquainting myself with Peter Pan, Winnie the Pooh, Mister Toad, Simba, and so on, the following reflection occurred to me: that these strange imagined characters were originally (at one slight remove, in Simba’s case) the creations of some very bourgeois persons. Barrie, Grahame, Milne, and Kipling were conventional, sober, uxorious, well-dressed gentlemen of respectable employment and opinions, yet the fruits of their imaginations have proved far more durable than those of any bohemian counterculture you can name. Not a very original reflection, to be sure, but it is something to be able to reflect at all while heading from Fantasyland to Adventureland in ninety-degree heat with a first-grader and a preschooler in tow.

Some similar thoughts came to mind as I was reading the new selection of Longfellow’s works recently published by the Library of America. [1] Lo ...

This article is available to subscribers and for individual purchase

Log in

John Derbyshires most recent book is We Are Doomed: Reclaiming Conservative Pessimism (Crown Forum)
more from this author


This article originally appeared in The New Criterion, Volume 19 December 2000, on page 12
Copyright © 2012 The New Criterion | www.newcriterion.com


E-mail to friend(s)