A constitutional amendment prohibiting shows about putting on shows and writers writing about writers should have been passed long ago. But, of the two, the former is, on balance, preferable: the backstage musical is at least potentially mythic42nd Streets plucky chorine going out a youngster and coming back a star taps into something more than just song n danceand, flattering or not, there is a kernel of truth in the idea of show business as the central thruway of the American dream. But a writer writing about being a writer somehow invariably winds up shrinking the subject to something cramped and fetid and morbidly self-obsessed.
Brian Friels Give Me Your Answer, Do! (at the Gramercy) is a generic entry to the field. First seen in Dublin two years ago, the play presents us with two novelistsGarret Fitzmaurice (Gawn Grainger) is a hugely successful sellout prone to self-loathing, Tom Connolly ...
Mark Steyn’s most recent book is America Alone: The End of the World As We Know It (Regnery)
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This article originally appeared in The New Criterion, Volume 18 November 1999, on page 43
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