Summer offers myriad pleasures, but perhaps none as diverting as the music festival. The ubiquity and variety of these events only further their appeal, and the best-known of themBayreuth, Salzburg, and Glyndebourne in Europe, and Marlboro, Tanglewood, and Aspen in Americaare venerable institutions with their own cachet and rituals. But even less familiar festivals have charms, arguably all the more so because of their novelty. The Ojai Festival in California is hardly young (this year marked its fifty-fourth anniversary) and far from unknown to music lovers in the Golden State. Yet there is a hidden quality to Ojai (pronounced OH-high), a sense that it is a well-kept secret best kept well. Partly its a question of geography. The city of Ojai, which fancies itself something of an arts-and-crafts center, lies in a valley about ninety miles northwest of Los Angeles and fifteen miles from the Pacific coast. This is the place that Frank Ca ...
David Mermelstein writes about classical music for The New York Times
more from this author
This article originally appeared in The New Criterion, Volume 19 September 2000, on page 60
Copyright © 2012 The New Criterion | www.newcriterion.com