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Art

November 1998

A Northern Renaissance at the Metropolitan

by Karen Wilkin

In this era of blockbuster shows, the permanent collections of the Metropolitan frequently become what we walk past on the way out of the latest event, so it’s good to be reminded of how remarkable those collections are. Happily, the Met periodically organizes scholarly exhibitions that spotlight the richness and depth of the museum’s own holdings. The current in-house showcase, “From Van Eyck to Bruegel: Early Netherlandish Painting in the Metropolitan Museum of Art,” may be the most spectacular and thoughtful to date. For cognoscenti and novices alike, for lovers of Netherlandish painting, and even for the undecided, the show is an unalloyed delight, a celebration of the abilities of early northern artists and an education in the field’s latest scholarship (including the most recent attributions).[1] If the exhibition were anywhere else, New York art lovers would be planning trips so as not to miss it.

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Karen Wilkin is an editor at The Hudson Review and on the faculty at the New York Studio School
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This article originally appeared in The New Criterion, Volume 17 November 1998, on page 48
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