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Art

May 1999

A Spring roundup

by Mario Naves

Few venues embody the free-for-all that is today’s art world as fully as the P.S.1 Contemporary Art Center in Queens. An old school building located in industrial Long Island City, P.S.1 is an institution dedicated to the anti-institutional. Providing ample space to the jumble of current artistic practice, the art center still hearkens back to its original function. This is part of P.S.1’s appeal: one can’t help but experience a nostalgic disassociation in encountering, say, an inflatable Tyrannosaurus in a gallery vaguely reminiscent of one’s fifth-grade math class. P.S.1 milks the underlying impulse of public education, albeit subliminally, by advocating any and all brands of artistic endeavor. That the work on view rarely transcends the diverting (or the annoying) doesn’t make the best case for democratic principles, however. A friend suggested that P.S.1 would better serve the culture at large if it were turned back into a s ...

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Mario Naves is an artist and critic who live and works in New York City
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This article originally appeared in The New Criterion, Volume 17 May 1999, on page 56
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