Of the many things that have been said about the agony of President Clintons impeachment by the U.S. House of Representatives and the sham trial that resulted in his acquittal by the U.S. Senate, there seems to have been only one point upon which political factions of every persuasion found it possible to agree: that this whole sordid episode in the nations history was in many respects the culminationthough by no means the conclusionof the culture war that has been raging in this country since the emergence of the radical counterculture in the 1960s. Those on the political Left who claimed that the impeachment of the president was really an impeachment of the 1960s werent entirely wrong. Neither were those on the political Right who had long feared the worst from the pot-smoking, draft-dodging, antiwar activist with a history of sexual misconduct who had come to occupy the White House. Both were reflecting upon ...
This article originally appeared in The New Criterion, Volume 17 March 1999, on page 1
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