Jay Nordlinger is a Senior Editor at National Review, writing on a variety of subjects.
On the Europeanization of the Metropolitan Opera, Alan Gilberts New York Philharmonic, Paul Jacobs at Juiliard, and the Boston Symphony Orchestra at Carnegie Hall.
On the 2009 Salzburg Festival.
On the Mostly Mozart Festival at Lincoln Center, New York.
On Chanticleer at the Metropolitan Museum of Art; Abbey Simon, Magdalena Kožená, and Christopher Prégardien & Michael Gees at Alice Tully Hall, Ricardo Muti with the New York Philharmonic; Bernard Haitink with the Chicago Symphony Orchestra, René Pape, and Pierre Boulez with the Staatskappelle Berlin at Carnegie Hall; Emmanuel Pahud, Trevor Pinnock & Jonathan Manson at Zankel Hall; Bernard Haitink with the Chicago Symphony Orchestra; and Barber of Seville at the Metropolitan Opera.
On Maris Janson & the Bavarian Radio Symphony Orchestras and André Previns 80th Birthday at Carnegie Hall; La sonambula, Rusalka, Cavalleria rusticana, Pagliacci, & The Elixir of Love at the Metropolitan Opera; and the all-Handel night with the New York Philharmonic at Avery Fisher Hall.
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