The New Criterion
(Mobile Version)

April 2010 Volume 28, Number 8  

Notes & Comments

Islam vs. Islamism
Is there such a thing as moderate Islam?


Features

Teaching a dumpling to dance
by Eric Ormsby
On The Poetry of Rilke: Bilingual Edition, translated by Edward Snow.

Tony Tanner's convivial criticism
by Denis Donoghue
On Prefaces to Shakespeare, by Tony Tanner.

The reasonableness of Donald Justice
by William Logan
On the critical prose of Donald Justice.

Many voices
by Paul Dean
On Tennyson Among the Poets: Bicentenary Essays, edited by Robert Douglas-Fairhurst and Seamus Perry.

Has Dottie got legs?
by R. S. Gwynn
On the poetry of Dorothy Parker.

English spoken here
by David Yezzi
On the "New Generation" of British poetry.


Poems

Introduction
by Alan Shaw

Alexander Pushkin's “Scene from Faust”
by Alan Shaw


Theater

Tis thing of darkness
by Kevin D. Williamson
On Sam Shepard’s A Lie of the Mind with Ethan Hawke, The Bridge Project’s The Tempest directed by Sam Mendes & the Babel Theatre Project Brack’s Last Bachelor Party.


Art

Perpetual winter in Washington
by Karen Wilkin
On “Hendrick Avercamp: Master of the Ice Scene” at the Rijkmuseum, Amsterdam & “Hendrick Avercamp: The Little Ice Age” at the National Gallery of Art, Washington, D.C.

Exhibition note
by Christie Davies
On "Sargent, Sickert & Spencer" at The Fitzwilliam Museum, Cambridge, England.

Exhibtion note
by Mario Naves
"William Kentridge: Five Themes" at the Museum of Modern Art, New York.

Gallery chronicle
by James Panero
The Armory Show at the Chelsea Piers; ADAA’s Art Show & the Winter Antiques Show at the Park Avenue Armory; “William Bailey: New Work” at the Betty Cuningham Gallery & “Milton Avery: Industrial Revelations” at Knoedler & Company.


Music

New York chronicle
by Jay Nordlinger
On the Royal Concertgebouw Orchestra of Amsterdam, the Mariinsky Orchestra, Olga Borodina & the New York Philharmonic at Carnegie Hall, Pierre-Laurent Aimard playing George Benjamin’s Piano Figures at Alice Tully Hall, The Daughter of the Regiment at the Metropolitan Opera, Jessica Douglas-Home’s Violet: A Dramatization in Words and Music of the Life of Violet Gordon Woodhouse & Michael Hersch’s Last Autumn at Merkin Hall


The Media

Why they're wrong & I'm right
by James Bowman


Books

Unpruned meditations
by John Talbot

Better served cool
by Jeffrey Collins

Decoding the Framers
by Andrew C. McCarthy

After strange gods
by Douglas Murray

Withering into the truth
by Ian Marcus Corbin


Notebook

In memoriam: Louis Auchincloss (1917–2010)
by Ben Downing