Having just bemoaned the apparent lack of thoughtful anti- or pro-war Hollywood films these days, I was pleased to see this review of The Kingdom by TNC friend and contributor Stephen Schwartz. The Kingdom isn’t actually a war movie at all, but it is an exacting—and exciting, which never hurts—look at the murderous Wahhabi sect. In other words, Saudi Arabia and its emanation, terror.
The picture has flaws—some of its Arabic translations are inaccurate. It is more than a bit difficult to imagine an American investigative team charging through Wahhabiland in such an energetic fashion. But The Kingdom has all the basic facts about the Saudi environment right, beginning with its references to Wahhabism. It correctly identifies the Saudi website alsaha.com as a major jihadist communications outlet that uses up-to-date technology to support the terrorist offensive. And most important, it includes an oleaginous American diplomat (Jeremy Piven) as reluctant to offend the Saudi authorities, and the armed bodies of men protecting the Saudi order as mainly ambivalent about extremism, when not sympathetic to it.
The Kingdom is a classic action epic, about which it is superfluous to analyze plot and characterization. Bombs blast away and guns go off, blood splashes in all directions, Foxx is tough and resourceful, a female FBI special agent played by Jennifer Garner is almost as tough, and an apparently Jewish special agent (Jason Bateman), is briefly kidnapped and threatened with beheading in front of a jihadist videocam.
But even with its improbabilities and other shortcomings, right now The Kingdom has almost the character of a documentary reportage rather than a dramatic film. Last week, a few days after seeing it, I attended a Capitol Hill press conference on the Saudi state held by the U.S. Commission on International Religious Freedom (USCIRF)—and had the sense I was walking into a scene left out of the movie. On Monday, October 22, a new anti-Wahhabi coalition of American Muslims (www.al-baqee.org) will hold a demonstration at the Royal Saudi Embassy in Washington, protesting against Wahhabi terrorism in Iraq, and condemning the support for such atrocities originating south of the Iraqi-Saudi border. I am scheduled to speak at the rally, and plan to end my remarks by exhorting all present to see The Kingdom and urge others to do the same. Non-Muslims can hardly imagine the liberating effect of the seeing the truth about Wahhabism on the big screen.
Meanwhile, on Slate, Christopher Hitchens defends the term “Islamofascism” to describe the basic ideology that Stephen Schwartz exhorts us to watch out for:
Does Bin Ladenism or Salafism or whatever we agree to call it have anything in common with fascism?
I think yes. The most obvious points of comparison would be these: Both movements are based on a cult of murderous violence that exalts death and destruction and despises the life of the mind. (“Death to the intellect! Long live death!” as Gen. Francisco Franco’s sidekick Gonzalo Queipo de Llano so pithily phrased it.) Both are hostile to modernity (except when it comes to the pursuit of weapons), and both are bitterly nostalgic for past empires and lost glories. Both are obsessed with real and imagined “humiliations” and thirsty for revenge. Both are chronically infected with the toxin of anti-Jewish paranoia . . . . Both are inclined to leader worship and to the exclusive stress on the power of one great book. Both have a strong commitment to sexual repression . . . and to its counterparts the subordination of the female and contempt for the feminine. Both despise art and literature as symptoms of degeneracy and decadence; both burn books and destroy museums and treasures.
Read the whole thing here, and then treat yourself to a movie.
add a comment