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About ArmaVirumque ( AHR-mah wih-ROOM-kweh) In the Aeneid, the Roman poet Virgil sang of "arms and a man" (Arma virumque cano). Month in and month out, The New Criterion expounds with great clarity and wit on the art, culture, and political controversies of our times. With postings of reviews, essays, links, recs, and news, Armavirumque seeks to continue this mission in accordance with the timetable of the digital age. Recent posts
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Aug 16, 2007 03:01 PM Burnt children, low taxes, and Regietheater by James Panero
Today in The New York Sun, our own music critic Jay Nordlinger reports from the Salzburg Festival on a a particularly bad example of "director’s theater," which I wrote about here last week. The opera Der Freischütz, by Carl Maria von Weber, is a Christian tale, Nordlinger writes. "But how do you handle a Christian tale on a continent whose elite culture is decidedly post-Christian, to say the least?" Well, here is how Falk Richter, a director from Hamburg, handled it: Check out Nordlinger’s entire description of what can happen to a Christian opera in post-Christian Europe.
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