The New Criterion is probably more consistently worth reading than any other magazine in English.
On the life, evolution, and legacy of Anton Chekhov.
was right!Support The
Chekhov’s contemporaries wondered: What sort of Russian writer was he? He had no solution to the ultimate questions. With no “general idea” to teach, wasn’t he more like a talented Frenchman or Englishman born in the wrong place?
No country ever has valued literature more highly than Russia. When Tolstoy published Anna Karenina, Dostoevsky enthused that at last the existence of the Russian people had been justified! Can anyone imagine an English critic thinking England’s right to exist was in question or discovering it in Bleak House?
Nations, it seemed, live in order to produce great literature, and literature exists to reveal great truths. Science, philosophy, and the other arts are all very well, but nothing rivals poetry and fiction. For Russians, literature played the same role as Scripture did for the ancient Hebrews when it was still possible to add books to the B ...
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This article originally appeared in The New Criterion, Volume 31 November 2012, on page 20
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A look at the legacy of literary scholar and Dostoevsky biographer Joseph Frank (1918–2013).
Uncovering the media lies that continue to shape the history of JFK's assassination
by Ben Downing
During World War II, Crete had a profound impact on several writers, including Patrick Leigh Fermor
by Marco Grassi
In search of the story of Piero della Francesca, the forgotten hero of the Early Renaissance
March 11 2014
Friends and Young Friends Event: Book Launch Party with Roger Scruton
March 25 2014
Friends and Young Friends Event: A conference on "Preserving an Open Society in a Perilous World"
April 01 2014
Friends and Young Friends Event: Piano Recital with Simone Dinnerstein
Introduction to The Kennedy Phenomenon
The Kennedy Phenomenon: "Watching the Kennedy Train-Wreck"
The Kennedy Phenomenon: "The Many Misjudgments of Richard Hofstadter"