Karen Wilkin is an independent curator and critic. She was previously the curator of "American Vanguards," on view at the Neuberger Museum, SUNY Purchase and a faculty member at the New York Studio School. She is an art historian, curator, and critic, educated at the High School of Music and Art, Barnard College, and Columbia University. After living and working in Italy and Canada for some years, Ms. Wilkin returned to her native Manhattan in 1985. She lives near the Empire State Building with her architect husband and two Maine Coon cats. A specialist in 20th century modernism, Ms. Wilkin has organized numerous exhibitions internationally and written monographs on David Smith, Helen Frankenthaler, Anthony Caro, Kenneth Noland, Stuart Davis, Giorgio Morandi, and George Braque, and is the co-author, with Clifford Ross, of The World of Edward Gorey. She contributes regularly to The New Criterion, Partisan Review, and Hudson Review. Her recent projects include a study of Clement Greenberg's personal collection for the Portland Art Museum, Portland, Oregon, and "David Smith: Two into Three Dimensions", the first exhibition to examine Smith's reliefs as a coherent body of work, in relation to his drawings, paintings, and free-standing sculptures, which will be seen at the New York Academy Museum at the end of 2001.
Articles by Karen WilkinView All
Art June 2019
Spilling over at the Whitney
On “Spilling Over: Painting in Color in the 1960s” at the Whitney Museum of American Art.
Art May 2019
Pierre Bonnard at Tate Modern
On “The C. C. Land Exhibition: Bonnard: The Colour of Memory” at Tate Modern, London.
Art April 2019
Hans Hofmann in Berkeley
On “Hans Hofmann: The Nature of Abstraction” at the UC Berkeley Art Museum and Pacific Film Archive.