Peter Matthiessen occupies a unique position in contemporary letters. In the more than three decades since the publication of his first book, a novel called Race Rock (1954), he has received a good deal of attention for his contributions to two seemingly very distinct literary genres. Some readers know him primarily for his fiction—especially for the two longest, most recent, and most accomplished of his five novels, At Play in the Fields of the Lord (1965) and Far Tortuga (1975)—while some are more familiar with his nonaction writings on man and nature, a dozen-odd books with titles like The Cloud Forest, Under the Mountain Wall, The Tree Where Man Was Born, and The Snow Leopard. His work in both genres has been awarded recognition at a high level: At Play in the Fields of the Lord and The Tree Where Man Was Born were each...

 

A Message from the Editors

Our past successes are owed to our greatest ambassadors: our readers. Our future rests on your support, as The New Criterion Editor Roger Kimball explains. Will you help us continue to bring our incisive review of the arts and culture to the next generation of readers?

Popular Right Now