The camera only photographs the photographer, runs a line by John Ciardi, perhaps his only good one. Or so my faulty memory recalls it. Similarly, an anthology photographs the anthologist. The Best American Poetry was edited this year by Adrienne Rich; to help convey its contents, I must advert to the poet who chose them.

Back in 1951, I was one of three assistants in Archibald MacLeish’s poetry course at Harvard, and a student named Adrienne Rich came to me with an acrimonious complaint. W. H. Auden had just chosen her Yale Younger Poet of the year, yet MacLeish was not paying special attention to her. She had hoped for advanced, personalized treatment, and here she was being denied privileged status. I tried to remonstrate gently, but the Yale Younger Poet-elect indignantly dropped the course.

Later that year, Miss Rich gave a poetry reading in Harvard Hall. Knowing my skepticism about this...


A Message from the Editors

Our past successes are owed to our greatest ambassadors: our readers. Our future rests on your support, as The New Criterion Editor Roger Kimball explains. Will you help us continue to bring our incisive review of the arts and culture to the next generation of readers?

Popular Right Now