Considering the German track record with fairy tales, it seems odd, in retrospect, that no one noticed the cultural antecedents of the most successful movie of 1996. It was a plot straight out of the Brothers Grimm: irredeemably evil superbeings threaten the existence of everyday people with all their deficiencies and quirks; everyday people rise above their flaws to discover an inner strength they never knew they had; everyday people triumph over evil and live happily ever after.

When you get right down to it, there’s nothing intrinsically American about the story behind INDEPENDENCE DAY .RO.K., fine, so the movie was shot in Hollywood with Hollywood actors. But the idea, the script, the direction, the camerawork, and many of the special effects came from Germans. Without Roland Emmerich, son of Stuttgart, Independence Day never would have happened. The director and producer to whom Germans now refer, with a mixture of horror and admiration, as das Spielbergle (“little Spielberg” in the Swabian dialect of his hometown), has lived in Hollywood ever since the annus mirabilis of 1989. But that didn’t stop him from going back to the Filmakademie Ludwigsburg when he needed computer-graphics specialists to handle the effects for his movie. Explaining that decision in an interview with the newsmagazine Der Spiegel, Emmerich noted that working with the students from back home proved much cheaper: “At the big [American] companies you have to pay for a ton of bureaucracy, and then they even demand a share of the