“The Closing of the American Mind” at 20
by James Piereson
On Allan Bloom the teacher, taking on the listless realms of academe.
On Allan Bloom the teacher, taking on the listless realms of academe.
On the role of ideas of “tolerance” in the intellectual decline.
On rock music’s oppressive rule over society.
On a number of the potential flaws in Bloom’s “The Closing of the American Mind.”
On Peter Gay’s Modernism: The Lure of Heresy.
On Ted Honderich’s strange thoughts on punishment.
On American Ballet Theatre’s Sleeping Beauty at the Metropolitan Opera House, New York.
On Iphegenia 2.0 at the Signature Theater, The Misanthrope at New York Theater Workshop, The Dining Room at the Keen Company, Dividing the Estate at Primary Stages, and The Seagull at the Brooklyn Academy of Music.
On “The Age of Rembrandt: Dutch Painting in the Metropolitan Museum of Art” at the Metropolitan Museum of Art, New York.
On “Depth of Field: Modern Photography at the Metropolitan” at the Metropolitan Museum of Art, New York.
On Salander-O’Reilly, “Thornton Willis, Paintings: 40 Years” at Sideshow Gallery & “William Bailey on Canvas” at Betty Cuningham Gallery.
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On Margaret Garner at City Opera, an “Hommage à Cziffra” at Yamaha Artistic Services, and Turandot at the Atlanta Opera.
On the latest outpouring of sentimental self-importance from the celebrity documentary-maker.
A review of A Life of Picasso: The Triumphant Years, 1917-1932 (Vol 3) by John Richardson.
On Carpe Diem: How to Become a Latin Lover by Harry Mount.
On Travels with Herodotus by Ryszard Kapuscinski.
On Tree of Smoke by Denis Johnson.
On The House That George Built: With a Little Help from Irving, Cole, and a Crew of About Fifty by Wilfred Sheed.
On The Essential Feminist Reader, edited by Estelle B. Freedman.
On The Theatre of Illusion by Pierre Corneille, translated by Richard Wilbur.
On the centenary of the celebrated historian.
Notes & Comments
Will there always be an England?
by The Editors
On worrying signs of modern Britain.