Homage at the Metropolitan
by Karen Wilkin
On “The Philippe de Montebello Years: Curators Celebrate Three Decades of Acquisitions” at the Metropolitan Museum of Art, New York.
On “The Philippe de Montebello Years: Curators Celebrate Three Decades of Acquisitions” at the Metropolitan Museum of Art, New York.
On American Encounters: Art, History, and Cultural Identity, by Angela L. Miller, Janet C. Berlo, Bryan Wolf, and Jennifer L. Roberts.
On the Italian art critic and scholar.
On “Bernini and the Birth of Baroque Portrait Sculpture” & “Houdon at the Louvre.”
On Francis Bacon at the Tate Britain, London.
On Zhang Huan & contemporary art in China.
On Red Bird by Mary Oliver, Ours by Cole Swensen, Letters to a Stranger by Thomas James, Warhorses by Yusef Komunyakaa, Figure Studies by Claudia Emerson, One Secret Thing by Sharon Olds.
On A Man for All Seasons at the American Airlines Theatre, and To Be or Not to Be at the Samuel J. Friedman Theatre, and Romantic Poetry at City Center.
On “Cold War Modern: Design 1945–1970” at the Victoria & Albert Museum, London.
On “George Tooker: A Retrospective” at The National Academy, New York.
On “Oceans, Rivers & Skies: Anselm Adams, Robert Adams & Alfred Stieglitz” at the National Gallery of Art, Washington.
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On Menahem Pressler & Richard Stoltzman at the Metropolitan Museum of Art, James Levine & the Boston Symphony Orchestra at Carnegie Hall,Lucia di Lammermoor, Madama Butterfly & Doctor Atomic at the Metropolitan Opera, and Lang Lang with the New York Philharmonic at Avery Fisher Hall.
On Senator Obama’s victory.
On The Complete Lyrics of Oscar Hammerstein, edited by Amy Asch.
On What the Gospels Meant & Martial’s Epigrams: A Selection by Garry Wills.
On the collected critical writings of Geoffrey Hill.
On Descartes’ Bones by Russell Shorto
Notes & Comments
Freedom imperilled
by The Editors
On democratic despotism.
Opera in New York: RIP?
by The Editors
On Gérard Mortier and the City Opera.