The Bauhaus restored
by Michael J. Lewis
On “Bauhaus 1919–1933: Workshops for Modernity” at the Museum of Modern Art, New York.
On “Bauhaus 1919–1933: Workshops for Modernity” at the Museum of Modern Art, New York.
On “reading” early Italian painting.
On “Arshile Gorky: A Retrospective,” at the Philadelphia Museum of Art.
Jacob Epstein with Torso in Metal from Rock Drill, ca.1952. Photo: Epstein Archive, The New Art Gallery Walsall
On “Kandinsky,” at the Solomon R. Guggenheim Museum, New York.
Why the bubble won’t pop for Pop.
On Good Bobby at 59e59, Willem Dafoe in The Idiot Savant, Oleanna & Proof.
On “Eero Saarinen: Shaping the Future” at the Museum of the City of New York.
On “Renaissance to Revolution: French Drawings from the National Gallery of Art, 1500–1800,” The National Gallery of Art, Washington, D.C.
On “Looking In: Robert Franks’s The Americans” at The Metropolitan Museum of Art.
On “The Sacred Made Real: Spanish Painting & Sculpture 1600–1700” at The National Gallery, London.
On Lorin Maazel with the Boston Symphony Orchestra, The Damnation of Faust at the Met, an evening of new music at the Chamber Music Society of Lincoln Center, and Neemi Järvi at the New York Philharmonic.
Your donation sustains our efforts to inspire joyous rediscoveries.
On the “necessary lies” of the liberal media.
On The Continual Condition, by Charles Bukowski, edited by John Martin; Wheeling Motel, by Franz Wright; Unmentionables, by Beth Ann Fennelly; Easy, by Marie Ponsot; Unrest, by Joanna Rawson; and Planisphere, by John Ashbery.
Reflections from the Walker Art Gallery.
Notes & Comments
The art world vs. the world of art
by The Editors
Institutional memory
by The Editors