Future Tense, III: a Prometheus bound
by Andrew Roberts
On American leadership in the twenty-first century.
On American leadership in the twenty-first century.
On the “habits of affection and behavior” in the American South.
On the warm friendship between the art historian & the Anglo-Florentine writer.
On an excerpt from Apuleius’s classic novel.
On The Leftovers by Tom Perrotta, Zone One by Colson Whitehead, The Prague Cemetery by Umberto Eco & Cain by José Saramago.
On the new adaptation of War Horse, the Folding Chair’s Titus Andronicus & Rip Torn in Julius Caesar.
On “De Kooning: A Retrospective” at the Museum of Modern Art, New York.
On “Eva Hesse Spectres 1960” at the Brooklyn Museum of Art.
On “Degas and the Ballet: Picturing Movement” at the Royal Academy of Arts, London.
On “Georges Braque: Pioneer of Modernism” at Acquavella Galleries; “Ronnie Landfield: Structure and Color” at Stephen Haller Gallery; “Melissa Meyer: New Paintings and Watercolors” at Lennon, Weinberg, Inc.; & “Melissa Meyer: Just Painting” at BravinLee Programs.
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On facts, verdicts, and reportage.
On Neil MacGregoor’s A History of the World in 100 Objects.
Notes & Comments
The 99-percent solution
by The Editors
On Occupy Wall Street.