Piero della Francesca’s Virgin and Child Enthroned with Four Angels (ca. 1460–70), once encountered, is not easily forgotten or, for that matter, absorbed. A cornerstone of The Sterling and Francine Clark Art Institute, Virgin and Child is a wildly unpredictable picture, though its stoic demeanor offsets its radical nature. There are Piero’s angels: they are, if not exactly wedged into the rectangular format, book-ended significantly...

 
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