Andrea Mohin | The New York Times

Spectral Evidence, Angelin Preljocaj’s new dance for the New York City Ballet, is as strange and beautiful as its title. It’s the kind of title Martha Graham often put on her work—a title like a hardwood floor in Emily Dickinson’s house. And it’s the kind of subject Graham was attracted to—a legend or event knotted with violence and desire. Spectral Evidence is about the seventeenth-century Salem witch trials, a shameful yet fascinating piece of America’s past. Preljocaj sees the story through a prism, a Swarovski crystal. Working a refined synthesis of ballet history, modern dance, and postmodern...

 
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