April 2015
Campus inquisition
The treatment of John McAdams at Marquette University reveals the newest level of intolerance in the world of higher education.
The treatment of John McAdams at Marquette University reveals the newest level of intolerance in the world of higher education.
On the latest initiative out of Wesleyan University.
A deeper look into In a Station of the Metro reveals much about Pound’s development as a poet.
On Cambridge University Press’s seven-volume collection of Ben Jonson’s works.
Poets, like journalists, historians, are after the truth. But what kind of truth, exactly, do we find in poetry?
On the poet P. J. Kavanagh.
A new selection of Langston Hughes’s letters shows how the “beloved bard of black America” was caught between the world he was born into and the one his poetry embodied.
Introduction to a selection from Hesiod’s Work and Days, translated by A. E. Stallings
Tintern Abbey has changed quite a bit from Wordsworth’s day.
On Churchill at New York’s New World Stages; An Octoroon at Theatre for a New Audience & The Events at New York Theatre Workshop.
“Piero di Cosimo: The Poetry of Painting in Renaissance Florence” at the National Gallery of Art, Washington, D.C.
On “The Plains Indians: Artists of Earth and Sky” at the Metropolitan Museum of Art, New York.
On “Wifredo Lam: Imagining New Worlds” at the High Museum of Art, Atlanta.
“The Critique of Reason: Romantic Art, 1760–1860” at Yale University Art Gallery, New Haven.
On “between a place and candy: new works in pattern + repetition + motif” at 1285 Avenue of the Americas Art Gallery; “Tadasky: Control and Invention, 1964–2008” at D. Wigmore Fine Art & “Breaking Pattern” at Minus Space.
On James MacMillan’s Piano Concerto No. 3; Jamie Barton and Bradley Moore at Zenkel Hall; Behzod Abduraimov at Weill Recital Hall & more.
On the thin line between scandal and partisan rhetoric.
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